reporting by Pablo E. Bostonalius, and Stockard Lowell, who contributed to editing and fact checking this story October 11, 2001: Excerpts from American Renaissance Volume 4, Recollections given in a written affidavit and taken from the journal entries and field reports of art society member, alleged assassin, and government informant, Amadeo B. Effscott. Were both General
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reporting by Sirene Gates and Justine E. Knight (missing). Jeff Nimehsaki also contributed to this story. What is the American Renaissance to America? In these times of national strife, it’s hard to justify any such thing as prophecy. For those who worry about the “End of Times,” what is there to fret? No man is
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reporting by Daniel Nicolbaby. Laura McLeary also contributed to this story. “Give to any hypothesis which is worth your while to consider just that degree of credence which the evidence warrants….. Truth happens to an idea; it is made true by events.“ – Bertrand Russell, On Pragmatism and the Precept of Veracity, A History
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This article is notable for content taken from both Volume 4 and 5 of American Renaissance. It is purported to be the only exclusive interview granted by Amadeo Effscott on becoming a fugitive on Interpol’s most wanted list , after leaving U.S. soil in the aftermath of September 2001. (The exact date of leaked information
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INTRODUCTION Using as its primary model the culture of ancient Greece, the great revelation of Dorian Knight follows from the idea that there is an epistemology behind art. The stages of analysis developed here – are taken from his speech at Cornell University and his subsequent stop in Corinth,
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